DigitalRev Lens Image Stabilisation Video Test
DigitalRev Lens Image Stabilisation Video Test
Recently, we got a letter from some guy asking us whether Image Stabilisation on a lens really improves the stability of the movies that he wants to make. What’s more, he plans to put his HDSLR on the front of his car, so he wants to know how it will perform when used with a reasonably fast moving object. As we don’t like to come up with simple “yes” or “no” answers, we’ve devised a rather not so simple test. Watch the video to find out what happens.
Video Rating: 4 / 5
www.pbs.org/independentlens/objectified How does the design of your cell phone, toothbrush or couch impact your life? Did you ever stop to think about it? Director Gary Hustwit (HELVETICA) looks at our complex relationship with manufactured objects, the people who design them and the creative process behind their work. Step inside the offices of the world’s most influential product designers to see how these objects influence us—oftentimes without us even knowing it. OBJECTIFIED premieres November 24, 2009 on Independent Lens, a weekly series airing on PBS. Hosted by Maggie Gyllenhaal, the acclaimed series showcases powerful and innovative independent films. Presented by ITVS, Independent Lens is broadcast on PBS stations nationwide. Visit the Web site for more: www.pbs.org/independentlens/objectified
Video Rating: 4 / 5
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Kaenon Polarized Burny 12 Lens Eyewear A progressive take on a retro inspiration, Burny features distinctive style with performance and Kaenon Polarized is known for. A fashion statement for men and women, equally, this durable, performance wrapped TR 90 frame houses 8 base SR 91 lenses for razor sharp optical clarity and unsurpassed glare reduction. Featurning throw back temple design highlighted by discrete branding and logo detailing. G 12 12%is Keanon’s darkest grey lens that blocks 88% of visible light. Performs best in bright, full sun conditions. C 12 12% is Keanon’s darkest copper lens that blocks 88% of visible light. Performs best in bright, full sun conditions. Burny comes with a protective metal case. Rx adaptable. Made in Italy. Dimensions Lens 58mm W x 38mm H Bridge 10mm TempleFrame Width 126mm
Every group needs a black guy. Ethnic stabilisation, it’s
Olympus E-5 Digital SLR Camera (Body Only)
SPECIAL DISCOUNT LINK (AT AMAZON): Technical Details Dustproof, splashproof, lightweight rigid magnesium alloy body Ultra-effective, Supersonic Wave Drive built-in image stabilisation 12.3 Megapixel High Speed Live MOS sensor Ten Filters with astonishing new Dramatic Tone Filter Supersonic Wave Filter dust protection system
From: fredsmith1711
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Cluttons sees ‘selective stabilisation’ in 2012 but concerns remain over new supply
I didn’t even wanna eat my cereal last night.that image was stuck in my head all night! It looks like tuna with chopped celery.
Panasonic LUMIX DMC-G3 16 MP Micro Four-Thirds Interchangeable Lens Camera with 3-Inch Free-Angle Touch-Screen LCD and 14-42mm Lumix G VARIO f/3.5-5.6 Lens Special Offer You can buy Panasonic LUMIX DMC-G3 16 MP Micro Four-Thirds Interchangeable Lens Camera with 3-Inch Free-Angle Touch-Screen LCD and 14-42mm Lumix G VARIO f/3.5-5.6 Lens today at the best price and it’s limited time offer. Look at
toilet jauh. nak pakai lens je pon. malas.
Digitalrev.-Patrone Canon BJC400 4,50 € Zzgl. MwSt. Versandkosten: Versand ab 2,90 € Zustand: Neu OVP Verfügbarkeit: …
OK les trolls voient une image de 1789 , ayé on leur a volé leur objet ! vous allez faire des procès aussi ? genre marketing ?
My sisters think Ian is a “Good Boy”. This is so horrible for my image. Lol.
Yay! DigitalRev new vid x)
Chris Nolan has given his reasons for the lack of 3D in The Dark Knight Rises – and the whole of his Batman trilogy – saying that there’s no need for the format, as films are 3D already. Speaking to the Director’s Guild of America about his upcoming superhero opus and the rest of his career, Nolan explained why he wasn’t a fan of 3D, even though the studio would have been more than happy for The Dark Knight Rises to be shot in this way. “Warner Bros would have been very happy, but I said to the guys there that I wanted it to be stylistically consistent with the first two films and we were really going to push the IMAX thing to create a very high-quality image,” said Nolan. “I find stereoscopic imaging too small scale and intimate in its effect. 3D is a misnomer. Films are 3D. The whole point of photography is that it’s three-dimensional.” Opinion Fox: Glasses-free 3D ‘could stunt’ format’s growth 3D is hard to embrace He does note that 3D has its place but just not in movies. “The…
Yeah, currently running at ~50mbps. Apparently there’s the ten-day ‘stabilisation’ period next. Will see how it is tomorrow.
LONDON (Reuters) – British Airways, of International Airline Group, said 1,200 jobs were under threat as a result of plans to integrate UK regional airline bmi into its Heathrow operations.
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Fantastic for Oracle Payroll Functional Consultants to deliver go-lives, transition and stabilisation onto new Oracle Payroll systems.
Basic Outline: Functional Oracle Payroll Consultant with at least 3 previous implementations on….
DISTANCE is another TEST .
soelin posted a photo: I’ve been shooting with the 60mm f/2.4 lens for a week and I am very pleased with the results. The build is as good as the 35mm lens, and the hood is quite big. The filter thread is 39mm, similar to many Leica lenses’. I haven’t bought any UV filters as I find using the hood just fine to protect the lens. I’ve update the lens firmware to v1.02. I don’t hear the chatter that I heard with the v.1.01. Focus speed is slightly slower than 35mm f1.4, but, not so significantly so, IMO. Ever since I’ve learned that you can just press the shutter all the down to focus and take photo all at once, instead of doing the usual press shutter-half-way to focus technique, I’ve been getting more keepers. Image quality-wise, it’s comparable to the 35mm f/1.4, though in lab tests, I’ve read the 60mm is better. But, to me the IQ is about the same. Macro-mode is so-so. It’s very slow to focus. It’s not 1:1. Olympus’ new 12-50mm macro works better. Leica D-Lux series and Ricoh GRD…